Electronics project notes/Audio notes - noise reduction

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Intro

Dolby noise reduction

This article/section is a stub — some half-sorted notes, not necessarily checked, not necessarily correct. Feel free to ignore, or tell me about it.

Dolby itself is a company, and a brand, but there are probably two main associations:

  • for a few decades, it was mostly associated with noise reduction (aimed at reducing noise on tape), and with
  • and later mostly known for Dolby surround (and perhaps Dolby Digital)


For context, tape hiss refers (roughly) to unavoidable hiss due to the nature of the tape medium. That hiss is also also a few dB stronger above a few kHz.


Dolby Noise Reduction addressed this with some selective companding.

It does this to higher frequencies, because the hiss is stronger there, and because the signal at higher frequencies is typically much quieter so could be amplified without causing any saturation / distortion.


For example, a Dolby B encoder (recording stage) boosts the frequency band about ~7kHz (with a well defined defined curve) by 10dB, and a decoder (player) lowers it the same way and by just as much. (So yes, it's much like a well defined EQ, and if you have a deck without Dolby, you can imitate it with EQ)

Playing a Dolby B recording on a dolby B player means the end-to-end frequency response is the same, but the higher frequency parts of the signal is ~10dB stronger on tape, so the tape-introduced noise is effectively ~10dB less end-to-end.

For completeness,

playing a recording without noise reduction on a player set to Dolby B will sound dull
because it lowers the higher frequencies for no good reason
playing a Dolby B recording on a player without noise reduction or with it disabled will sound unnaturally bright
because it's playing boosted high frequencies

Dolby B was popular in part because it's simple. And probably in part because it's subtle enough that playing B-recorded tapes in players without Dolby would sound bright (brighter than intended but not exactly a bad thing, particuarly if you had an EQ).


Dolby C is the same idea, but is ~10dB stronger and starts to come in two octaves earlier.

This is more noise reduction, but strong enough that playback on systems without Dolby noise reduction sounds wrong. Though, because it's roughly two B passes (strength-wise, anyway), playback on decks set to B sounds good enough.


Dolby HX Pro is not actually noise suppression, but dynamic tape bias.

(there was also HX without the pro, which was basically a first flawed first implementation, basically never used; HX Pro is the only real version out there and when we say HX we often mean HX Pro(verify)).

HX (Headroom eXtension) lessens the bias it adds when there is more high frequency in the signal.

The details why are more involved.

The idea is that this makes for slightly more accurate recording in the high frequencies (because it is less likely to saturate the medium?(verify) and then mostly for strong high frequency content such as hihats).

It's not a huge difference, but it's a good idea (apparently more so on cheaper tape(verify)).

It's purely about doing the recording step a little better, so not not something players need to worry about.



Variant list

There are more than most of us have probably heard of:

Dolby A - 1965, four-band, and embedding a warble tone that could be used to identify this type, and assist alignment. Used in some pro gear, cinema, and more
Dolby B - 1968, consumer, basically one-band, mainly used in cassettes
Dolby C - 1980, consumer, stronger than B
Dolby HX Pro - 1980, not reduction at all
Dolby SR - 1986, ten-band, sort of a refinement on A
Dolby S - 1989, roughly something inbetween B or C and SR



Unsorted:

The more professional variants take more care, to e.g. make the level production a little more truthful to the original.
That, and the warble tone stuff, was not so interesting to home recording.
So the fancier types, with more expensive hardware, rarely made it to consumer players.
Note that B and C do not particularly deal with transients.
Some Dolby variants introduced adaptive gaining and frequency masking (verify).
'Dolby HX' and 'HX Professional' is apparently not exactly the same thing



https://www.soundonsound.com/sound-advice/q-what-different-about-varieties-dolby-noise-reduction

https://en.wikipedia.org/wiki/Dolby_noise-reduction_system

Other noise reduction